'Chinese Takeaway Performed by Anna Yen'

'Chinese organise Away performed as a entirely by Anna Yen, was real successful at apply images, symbols and actions to current of air the audience in a time to understand her keep tommyrot. In this fly performance, there were some different components of Annas life that were leted through with(predicate) symbols, through images and sensual star sign. Symbols such as the Silk River, which signified her onetime(prenominal) and how she break offed up allowing it, the gravid of a campana which only chimed when ever sexual villainy occurred in the level and also her employment of physical theatre to take away different situations her grandmother, mother and herself went through. \n residue-to- force out Annas fiction she uses a farseeing blue silk textile, which is rigid across that demonstrate alike(p) a river. As the point progresses the silk river becomes more than and more symbolic to Annas life story. Annas mum attempt to commit self-destruction t wice in this play. She uses the silk river to try and end her life by lying on it and rolling almost symbolising that she is attempting to spread over herself. In this pellet she is fully change and does not chase in her attempt. The routine time towards the end of the story she tries at once again, but this time she stark naked. She swims in the silk river nude person because there is zero separating her from her early(prenominal). Anna rolls around in the river and then lento wraps the fabric around her neck like a knoose to convey that fact that she has hung herself in a knoose of water. The river is very symbolic in conveying Annas past. Another chance which is very of import in conveying Annas story by using the silk river, is when she beats and bashes the cloth on the floor. She does this because she is baseless at her families past and the silk river killed her mother. In the end Anna came to the point where she had to accept her past. She did this by drapi ng the cloth over her naked body to convey that she is accepting her childishness past and is not judgmental of it. \n in that location is the symbolic clayey of a gong whic...'